World Cultures

From the author of the landmark bestseller Lawrence in Arabia comes a stunningly revelatory narrative history of the Iranian Revolution, one of the most momentous events in modern times. This groundbreaking work exposes the jaw-dropping stupidity of the American government and traces the rise of religious nationalism, offering essential insights into today's global unrest. On New Year's Eve, 1977, on a state visit to Iran, President Jimmy Carter toasted Shah Mohammad Reza Pahlavi, King of Kings, Light of the Aryans, Shadow of God on Earth, praising Iran as "an island of stability " due to "your leadership and the respect and admiration and love which your people give to you." Iran had the world's fifth largest army and was awash in billions of dollars in oil revenues.  Construction cranes dotted the skyline of its booming capital, Tehran.  The regime's feared secret police force SAVAK had crushed communist opposition, and the Shah had bought off the conservative Muslim clergy inside the country.  He seemed invulnerable, and invaluable to the United States as an ally in the Cold War.  Fourteen months later the Shah fled Iran into exile, forced from the throne by a volcanic religious revolution led by a fiery cleric named Ayatollah Khomeini. The ensuing hostage crisis forever damaged America's standing in the world.  How could the United States, which had one of the largest CIA stations in the world and thousands of military personnel in Iran, have been so blind? The spellbinding story Scott Anderson weaves is one of a dictator blind to the disdain of his subjects and a superpower blundering into disaster. Scott Anderson tells this astonishing tale with the narrative brio, mordant wit, and keen analysis that made his bestselling Lawrence of Arabia one of the key texts in understanding the modern Middle East.  The Iranian Revolution, Anderson convincingly argues, was as world-shattering an event as the French and Russian revolutions.  In the Middle East, in India, in Southeast Asia, in Europe, and now in the United States, the hatred of economically-marginalized, religiously-fervent masses for a wealthy secular elite has led to violence and upheaval - and Iran was the template.  King of Kings is a bravura work of history, and a warning.

A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalists In September 2022, a young Kurdish woman, Mahsa Jîna Amini, died after being beaten by police officers who arrested her for not adhering to the Islamic Republic's dress code. Her death galvanized thousands of Iranians--mostly women--who took to the streets in one of the country's largest uprisings in decades: the Woman, Life, Freedom movement. Despite the threat of imprisonment or death for her work as a journalist covering political unrest, state repression, and grassroots activism in Iran--which has led to multiple interrogation sessions and arrests--Fatemeh Jamalpour joined the throngs of people fighting to topple Iran's religious extremist regime. And across the globe, Nilo Tabrizy, who emigrated from Iran with her family as a child, covered the protests and state violence, knowing that spotlighting the women on the front lines and the systemic injustice of the Iranian government meant she would not be able to safely return to Iran in the future. Though they had met only once in person, Nilo and Fatemeh corresponded constantly, often through encrypted platforms to protect Fatemeh. As the protests continued to unfold, the sense of sisterhood they shared led them to embark on an effort to document the spirit and legacy of the movement, and the history, geopolitics, and influences that led to this point. At once deeply personal and assiduously reported, For the Sun After Long Nights offers two perspectives on what it means to cover the stories that are closest to one's heart--both in the forefront and from afar.

Analyzing media coverage in cases where cultural heritage sites have been destroyed during conflict, occupation and war, this book highlights the important role media play in the preservation of cultural heritage when states or other combatants engage in human rights violations. Author Mischa Geracoulis discusses how the role of journalism and the media during times of conflict is to report information from the front lines and war zones with integrity, and report accurately when states or other combatants engage in human rights violations. The book examines the media coverage, language and discourse surrounding two key situations-the destruction of Armenian cultural heritage in Artsakh/Nagorno-Karabakh and that of Palestinian cultural heritage in Gaza-and explores the ways media coverage has succeeded or failed in accurately illustrating the destruction of cultural heritage as a human rights violation. Geracoulis emphasizes the importance of factual, ethical reporting and sufficient coverage, underlining professional journalistic standards and best practices for the future to ensure similar destruction is not only understood, but responded to, within a human rights framework. The book will be of interest to students and scholars of media, journalism, and cultural studies, as well as media professionals interested in the role and influence of media framing and narratives on war, conflict, human rights, and humanitarian response.

Examining how memory, intergenerational transmission, and kinship work together, Relative Strangers sheds light on Romani life in Palestine. Arpan Roy presents an ethnographic portrait of Dom Romani communities living between Palestine and Jordan, zooming in on everyday life in working-class neighborhoods, and under conditions of perpetual war and instability. The book focuses on how Doms are able to sustain ethnic difference through kinship, even when public performances of difference are no longer emphasized - a kind of alterity that is neither visible by obvious markers like race or religious difference, nor detected by the antennas of the state. Drawing on long-term ethnographic fieldwork in Jerusalem, Ramallah, and Amman, Roy makes a case for such alterity for Romani people and other groups in the region. Analysing intimate ethnographic scenes through anthropological theories of kinship, psychoanalysis, social theory from the Global South, and more, the book reveals how alterity in the Middle East does not adhere to rigid identitarian categories. Ultimately, Relative Strangersdemonstrates the inadequacy of transposing models of pluralism centred on European and American experiences of minoritization onto other contexts.

Today, the majority of the world's Christian population lives in the Global South. This textbook offers in one volume a compact and vivid overview of the history of Christianity in Asia, Africa and Latin America since 1450, focussing on diversity and interdependence, local actors and global entanglements.

By employing the innovative lenses of 'thing theory' and material culture studies, this collection brings together essays focused on the role played by Arabia's things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West. All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty. Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.

A collection of music from around the world to listen to and enjoy.