Asian American & Pacific Islander Heritage Month

Strangers in the Land tells the story of a people who, beginning in the middle of the nineteenth century, migrated by the tens of thousands to a distant land they called Gum Shan­--Gold Mountain. Americans initially welcomed these Chinese arrivals, but, as their numbers grew, horrific episodes of racial terror erupted on the Pacific coast. A prolonged economic downturn that idled legions of white workingmen helped create the conditions for what came next: a series of progressively more onerous federal laws aimed at excluding Chinese laborers from the country, marking the first time the United States barred a people based on their race. In a captivating debut, Michael Luo follows the Chinese from these early years to modern times, as they persisted in the face of bigotry and persecution, revealing anew the complications of our multiracial democracy.     Luo writes of early victims of anti-Asian violence, like Gene Tong, a Los Angeles herbalist who was dragged from his apartment and hanged by a mob during one of the worst mass lynchings in the country's history; of demagogues like Denis Kearney, a sandlot orator who became the face of the anti-Chinese movement in the late-1870s; of the pioneering activist Wong Chin Foo and other leaders of the Chinese community, who pressed their new homeland to live up to its stated ideals.  At the book's heart is a shameful chapter of American history: the brutal driving out of Chinese residents from towns across the American West. The Chinese became the country's first undocumented immigrants: hounded, counted, suspected, surveilled.     In 1889, while upholding Chinese exclusion, Supreme Court Justice Stephen J. Field characterized them as "strangers in the land." Only in 1965 did America's gates swing open to people like Luo's parents, immigrants from Taiwan. Today there are more than twenty-two million people of Asian descent in the United States and yet the "stranger" label, Luo writes, remains. Drawing on archives from across the country and written with a New Yorker writer's style and sweep, Strangers in the Land is revelatory and unforgettable, an essential American story.

A mother and race scholar seeks to answer her daughter's many questions about race and racism with an earnest exploration into race relations and affirmative action from the perspectives of Asian Americans Before being struck down by the US Supreme Court in June 2023, affirmative action remained one of the few remaining policy tools to address racial inequalities, revealing peculiar contours of racism and anti-racist strategies in America. Through personal reflective essays for and about her daughter, OiYan Poon looks at how the debate over affirmative action reveals the divergent ways Asian Americans conceive of their identity. With moving sincerity and insightful study, Poon combines extensive research with personal narratives from both herself and a diverse swath of individuals across the Asian American community to reflect on and respond to her daughter's central question- What does it mean to be Asian American? Poon conducts interviews with Asian Americans throughout the US who have been actively engaged in policy debates over race-conscious admissions or affirmative action. Through these exchanges, she finds that Asian American identity remains deeply unsettled in a contest between those invested in reaching the top of the racial hierarchy alongside whiteness and those working toward a vision of justice and humanity co-constructed through cross-racial solidarity. Poon uses these contrasting viewpoints to guide her conversations with her daughter, providing a heartfelt and optimistic look at how understanding the diversity and nuances of the Asian American experience can help us envision a more equitable future.

This "vivid, moving, funny, and heartfelt" memoir tells the story of Curtis Chin's time growing up as a gay Chinese American kid in 1980's Detroit (Lisa Ko, author of The Leavers). Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung's Cantonese Cuisine, where anyone--from the city's first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples--could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city's spiraling misfortunes; and where--between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions--he realized just how much he had to offer to the world, to his beloved family, and to himself. Served up by the cofounder of the Asian American Writers' Workshop and structured around the very menu that graced the tables of Chung's, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy's childhood oasis, scoot into a vinyl booth, and grow up with him--and perhaps even share something off the secret menu.

In Fighting Invisibility, Monica Mong Trieu argues that we must consider the role of physical and symbolic space to fully understand the nuances of Asian American racialization. By doing this, we face questions such as, historically, who has represented Asian America? Who gets to represent Asian America? This book shifts the primary focus to Midwest Asian America to disrupt—and expand beyond—the existing privileged narratives in United States and Asian American history. Drawing from in-depth interviews, census data, and cultural productions from Asian Americans in Ohio, Wisconsin, Nebraska, Minnesota, Illinois, Iowa, Indiana, and Michigan, this interdisciplinary research examines how post-1950s Midwest Asian Americans navigate identity and belonging, racism, educational settings, resources within co-ethnic communities, and pan-ethnic cultural community. Their experiences and life narratives are heavily framed by three pervasive themes of spatially defined isolation, invisibility, and racialized visibility. Fighting Invisibility makes an important contribution to racialization literature, while also highlighting the necessity to further expand the scope of Asian American history-telling and knowledge production.

What does liberation mean for Asians at the core of an anti-Black, settler-colonial empire? This landmark book is the first to offer an Asian American theology of liberation for the present and future global crises. The broad scope of contemporary ideas that the book engages with will be of interest to students, activists, clergy, and scholars alike. Readers interested in radical politics, political theology, and Asian American history will find this book an important addition to their bookshelves. Providing an intersectional frame that considers the breadth and diversity of Asian American experiences alongside those of Black, Indigenous, and Latinx thinkers in the United States and across the globe, An Asian American Theology of Liberation puts Asian American theology in dialogue with theories from psychoanalysis, Afro-pessimism, Black Marxism, postcolonial studies, and queer theology. In this groundbreaking work, Wong Tian An combines archival research uncovering a much overlooked theology of liberation -- born in the 1970s out of Asian Americans' struggles for political recognition and civil rights in the United States -- with powerful analyses drawing from the theological, intellectual, and political developments of the last half century. This wide-ranging study connects urgent themes such as protest movements in Hong Kong, anti-Asian violence in the United States, and Indigenous struggles everywhere, while building on Asian theologies such as Dalit theology in India, theology of struggle in the Philippines, and Minjung theology in Korea. Drawing deeply and broadly across disciplines, the book altogether revives and renews an Asian American theology of liberation for a new generation.  

In 1954 the U.S. Supreme Court ruled that state laws establishing racial segregation are unconstitutional, declaring "separate is inherently unequal." Known as a seminal Supreme Court case and civil rights victory, Brown v. Board of Education resulted from many legal battles that predicated its existence. Marisela Martinez-Cola writes about the many important cases that led to the culmination of Brown. She reveals that the road to Brown is lined with "bricks" representing at least one hundred other families who legally challenged segregated schooling in state and federal courts across the country, eleven of which involved Chinese American, Native American, and Mexican American plaintiffs. By revealing the significance of Chinese American, Native American, and Mexican American segregation cases, Martinez-Cola provides an opportunity for an increasingly diverse America to be fully invested in the complete grand narrative of the civil rights movement. To illustrate the evolution of these cases, she focuses on three court cases from California, including these stories as part of the "long civil rights movement," and thus expands our understanding of the scope of that movement along racial, gender, and class lines. Comparing and discussing the meaning of the other court cases that led to the Brown decision strengthens the standing of Brown while revealing all the twists and turns inherent in the struggle for equality.

Following Edison Hark-a haunted, self-loathing Chinese-American detective-on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they're besieged by rampant murders, abusive police, and a world that seemingly never changes. Collects THE GOOD ASIAN #1-4, plus covers by SANA TAKEDA, ANNIE WU, JEN BARTEL, DAVE JOHNSON, and more.

There are 3.4 million South Asian-Americans in the U.S. They are creating an identity in a nation accustomed to binary racial choices, where the common understanding is that you are either black or white. The old model of immigration follows a progression from outsider to insider, or from being a person of color to either being perceived as white or being lumped in with white citizens. That transition has been documented with the help of two well known book titles: How the Irish Became White and How Jews Became White. Rudra argues that this typical pattern doesn't and can't apply to South Asian immigrants to the U.S. They are remarkably successful and well-educated residents, so they enjoy the privileges of whiteness without actually being white, while they continue to suffer discrimination (South Asian Muslims have a particularly difficult path toward acceptance). Author Geetika Rudra argues that it may no longer be necessary for minorities to be perceived white in order to succeed here on multiple levels. To explore South Asian identities, Rudra follows the influence of domestic immigration policies and international affairs for over a century. She starts her story in 1895, focusing on a particular immigrant who became the first South Asian-born naturalized U.S. citizen. For each of the five historical periods she covers, she has selected an exemplar--an actual historical figure -- whose story serves as an entryway to help explain evolving immigration policies and ethnic identity construction. Rudra explores how South Asian identity has veered toward and away from whiteness, allowing us to see the inherent artifice behind how American society has classified immigrant groups. She argues that the practice is more revealing about the construction of American identity than it is about American immigrant identity. Along the way, she also addresses the problem that there is not a single South Asian identity, since immigrants from the large geographical area that we call South Asia often have little in common.

In her engaging study, Passing for Perfect,erin Khuê Ninh considers the factors that drove college imposters such as Azia Kim--who pretended to be a Stanford freshman--and Jennifer Pan--who hired a hitman to kill her parents before they found out she had never received her high school diploma--to extreme lengths to appear successful. Why would someone make such an illogical choice? And how do they stage these lies so convincingly, and for so long?  These outlier examples prompt Ninh to address the larger issue of the pressures and difficulties of striving to be model minority, where failure is too ruinous to admit. Passing for Perfect insists that being a "model minority" is not a "myth," but coded into one's programming as an identity--a set of convictions and aspirations, regardless of present socioeconomic status or future attainability--and that the true cost of turning children into high-achieving professionals may be higher than anyone can bear.   Ninh's book codifies for readers the difference between imposters who are con artists or shysters and those who don't know how to stop passing for perfect.

In Black Dragon: Afro Asian Performance and the Martial Arts Imagination, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century.

A mother and race scholar seeks to answer her daughter's many questions about race and racism with an earnest exploration into race relations and affirmative action from the perspectives of Asian Americans Before being struck down by the US Supreme Court in June 2023, affirmative action remained one of the few remaining policy tools to address racial inequalities, revealing peculiar contours of racism and anti-racist strategies in America. Through personal reflective essays for and about her daughter, OiYan Poon looks at how the debate over affirmative action reveals the divergent ways Asian Americans conceive of their identity. With moving sincerity and insightful study, Poon combines extensive research with personal narratives from both herself and a diverse swath of individuals across the Asian American community to reflect on and respond to her daughter's central question- What does it mean to be Asian American? Poon conducts interviews with Asian Americans throughout the US who have been actively engaged in policy debates over race-conscious admissions or affirmative action. Through these exchanges, she finds that Asian American identity remains deeply unsettled in a contest between those invested in reaching the top of the racial hierarchy alongside whiteness and those working toward a vision of justice and humanity co-constructed through cross-racial solidarity. Poon uses these contrasting viewpoints to guide her conversations with her daughter, providing a heartfelt and optimistic look at how understanding the diversity and nuances of the Asian American experience can help us envision a more equitable future.

This empowering book blends history, storytelling, and culturally grounded techniques to equip readers with the tools needed to promote self-reflection, personal growth, and diasporic healing. Asian Americans represent the fastest growing ethnic group in the United States, yet few books capture how historical events, immigration experiences, cultural values, and unhelpful generational patterns contribute to this group's thoughts, attitudes, and actions in ways that impact relationships, well-being, and psychological health. In Patterns That Remain, Stacey Diane Arañez Litam empowers readers to heal from diasporic wounds and become people, partners, and parents who embody abundance mentalities grounded in joy, balance, and gratitude. This unique book combines complex and nuanced facets of Asian American history, research, and therapeutic modalities in ways that validate Asian American worldviews and promote a deep sense of universality and community. Each chapter addresses culturally relevant topics among Asian Americans and children of Asian immigrants and is informed by academic research in addition to author-conducted interviews with diverse Asian American community members and thought leaders. The book effortlessly blends history, storytelling, and culturally grounded perspectives to provide an inspirational, validating, and practical framework toward healing. Informed by Litam's lived experiences as a Filipina and Chinese immigrant as well as by her professional identities as a professor, researcher, and mental health clinician, Patterns That Remain provides the foundation for timely conversations and centers the importance of healing, personal growth, and unlocking the power behind our stories.

Would you make a deal with a magical tiger? This uplifting story brings Korean folklore to life as a girl goes on a quest to unlock the power of stories and save her grandmother. Some stories refuse to stay bottled up... When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni's Korean folktales arrives, prompting Lily to unravel a secret family history. Long, long ago, Halmoni stole something from the tigers. Now they want it back. And when one of the tigers approaches Lily with a deal--return what her grandmother stole in exchange for Halmoni's health--Lily is tempted to agree. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice...and the courage to face a tiger. Tae Keller, the award-winning author of The Science of Breakable Things, shares a sparkling tale about the power of stories and the magic of family.

This "vivid, moving, funny, and heartfelt" memoir tells the story of Curtis Chin's time growing up as a gay Chinese American kid in 1980's Detroit (Lisa Ko, author of The Leavers). Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung's Cantonese Cuisine, where anyone--from the city's first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples--could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city's spiraling misfortunes; and where--between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions--he realized just how much he had to offer to the world, to his beloved family, and to himself. Served up by the cofounder of the Asian American Writers' Workshop and structured around the very menu that graced the tables of Chung's, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy's childhood oasis, scoot into a vinyl booth, and grow up with him--and perhaps even share something off the secret menu.

It's a day in the life of your average househusband--if your average househusband is the legendary yakuza "the Immortal Dragon"! A former yakuza legend leaves it all behind to become your everyday househusband. But it's not easy to walk away from the gangster life, and what should be mundane household tasks are anything but! He was the fiercest member of the yakuza, a man who left countless underworld legends in his wake. They called him "the Immortal Dragon." But one day he walked away from it all to travel another path--the path of the househusband! The curtain rises on this cozy yakuza comedy!

Relative Histories focuses on the Asian American memoir that specifically recounts the story of at least three generations of the same family. This form of auto/biography concentrates as much on other members of one's family as on oneself, generally collapses the boundaries conventionally established between biography and autobiography, and in many cases--as Rocío G. Davis proposes for the auto/biographies of ethnic writers--crosses the frontier into history, promoting collective memory. Davis centers on how Asian American family memoirs expand the limits and function of life writing by reclaiming history and promoting community cohesion. She argues that identity is shaped by not only the stories we have been told, but also the stories we tell, making these narratives important examples of the ways we remember our family's past and tell our community's story. In the context of auto/biographical writing or filmmaking that explores specific ethnic experiences of diaspora, assimilation, and integration, this work considers two important aspects: These texts re-imagine the past by creating a work that exists both in history and as a historical document, making the creative process a form of re-enactment of the past itself. Each chapter centers on a thematic concern germane to the Asian American experience: the narrative of twentieth-century Asian wars and revolutions, which has become the subtext of a significant number of Asian American family memoirs (Pang-Mei Natasha Chang's Bound Feet and Western Dress, May-lee and Winberg Chai's The Girl from Purple Mountain, K. Connie Kang's Home Was The Land of Morning Calm, Doung Van Mai Elliott's The Sacred Willow); family experiences of travel and displacement within Asia in the nineteenth and early twentieth centuries, which unveil a history of multiple diasporas that are often elided after families immigrate to the United States (Helie Lee's Still Life With Rice, Jael Silliman's Jewish Portraits, Indian Frames, Mira Kamdar's Motiba's Tattoos); and the development of Chinatowns as family spaces (Maxine Hong Kingston's China Men, Lisa See's On Gold Mountain, Bruce Edward Hall's Tea that Burns). The final chapter analyzes the discursive possibilities of the filmed family memoir ("family portrait documentary"), examining Lise Yasui's A Family Gathering, Ruth Ozeki Lounsbury's Halving the Bones, and Ann Marie Fleming's The Magical Life of Long Tack Sam. Davis concludes the work with a metaliterary engagement with the history of her own Asian diasporic family as she demonstrates the profound interconnection between forms of life writing.

Heartfelt personal accounts from Asian American women on their experiences with skin color bias, from being labeled "too dark" to becoming empowered to challenge beauty standards "I have a vivid memory of standing in my grandmother's kitchen, where, by the table, she closely watched me as I played. When I finally looked up to ask why she was staring, her expression changed from that of intent observer to one of guilt and shame. . . . 'My anak (dear child),' she began, 'you are so beautiful. It is a shame that you are so dark. No Filipino man will ever want to marry you.'"--"Shade of Brown," Noelle Marie Falcis How does skin color impact the lives of Asian American women? In Whiter, thirty Asian American women provide first-hand accounts of their experiences with colorism in this collection of powerful, accessible, and brutally honest essays, edited by Nikki Khanna. Featuring contributors of many ages, nationalities, and professions, this compelling collection covers a wide range of topics, including light-skin privilege, aspirational whiteness, and anti-blackness. From skin-whitening creams to cosmetic surgery, Whiter amplifies the diverse voices of Asian American women who continue to bravely challenge the power of skin color in their own lives.