Hispanic Heritage Month

The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. "In English my name means hope," she says. "In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes--sometimes heartbreaking, sometimes joyous--Cisneros's masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis's Main Street or Toni Morrison's Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one's story and of being proud of where you're from.

Mitos e identidades en las autoras hispánicas contemporáneas Las revisiones de antiguos mitos y la formación de nuevos iconos en las creaciones de las autoras contemporáneas favorece la indagación en el proceso de construcción de la identidad colectiva y en la evolución de los roles de género en el siglo XX hasta la actualidad. Este volumen ofrece análisis de una selección de obras de narrativa, ensayo, poesía y teatro (con alguna incursión en danza, cómic y vídeo), que permiten comprender mejor procesos cruciales del acceso de las españolas a la Esfera pública (profesión, política, exilios...), y de su situación en la Esfera privada (conyugalidad, maternidad y responsabilidad en los cuidados). Se indaga también en las renovadoras técnicas que las autoras han empleado y en su recreación de modelos y estereotipos femeninos.

Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can't Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.

This is an intermediate/advanced level textbook directed toward students who are interested in learning the necessary medical terminology and cultural sensitivity to successfully care for the U.S. Spanish-speaking community in medical contexts. This textbook is divided into 13 chapters that include medical vocabulary, dialogues between medical professionals and patients, case studies, readings on health issues that affect the Latino community, readings to deepen students' cultural competence while working with Latino patients, and interactive and realistic activities to provide students the tools they need to effectively care for this population. This textbook is unique in the market in its cultural perspective focused on the diversity and complexity of the Latino community living in the United States. The book addresses particular health concerns that affect the Hispanic population such as specific illnesses (diabetes type 2, asthma, chronic obstructive pulmonary disease, HIV/AIDS, obesity, and liver disease) as well as barriers to accessing healthcare and, at the same time, the book highlights the complexity and diversity among this population. Most medical Spanish textbooks on the market only offer lists of words and common phrases to provide basic tools of communication to healthcare workers. Intermediate Medical Spanish: A Healthcare Workers' Guide for Communicating With the Latino Patient, by contrast, is directed to learners with intermediate and advanced levels of Spanish who wish to broaden their use of the target language in medical contexts. Some of the topics covered in the textbook are: children's health, maternal and reproductive health, diet and nutrition, mental health, and physical therapy. The book includes hundreds of vocabulary exercises and critical thinking activities pertaining to cultural awareness. The book also includes a key for some of the vocabulary exercises, a Spanish-English glossary, and a list of common medical procedures.

In a tantalizing array of new works from some of the most exciting Latinx creators working in the speculative vein today, Speculative Fiction for Dreamers extends the project begun with a previous anthology, Latinx Rising (The Ohio State University Press, 2020), to showcase a new generation of writers. Spanning diverse forms, settings, perspectives, and styles, but unified by their drive to imagine new Latinx futures, these stories address the breadth of contemporary Latinx experiences and identities while exuberantly embracing the genre's ability to entertain and surprise. With new work for new audiences in their teens and up, and especially for Latinx people navigating their identities in the ever-shifting, sometimes perilous, but always promising cultural landscape of the US, this book is for dreamers--and DREAMers--everywhere.    Contributors: Grisel Y. Acosta, Stephanie Adams-Santos, Frederick Luis Aldama, William Alexander, Nicholas Belardes, Louangie Bou-Montes, Lisa M. Bradley, Eliana Buenrostro, Diana Burbano, Pedro Cabiya, Steve Castro, Fernando de Peña, Scott Russell Duncan, Samy Figaredo, Tammy Melody Gomez, J. M. Guzman, Ernest Hogan, Pedro Iniguez, Ezzy G. Languzzi, Patrick Lugo, Roxanne Ocasio, Daniel Parada, Stephanie Nina Pitsirilos, Reyes Ramirez, Julia Rios, Sara Daniele Rivera, Roman Sanchez, Tabitha Sin, Alex Temblador, Rodrigo Vargas, Laura Villareal, Sabrina Vourvoulias, Karlo Yeager Rodriguez

This volume brings together studies on poetics, poetic arts, and other metapoetic texts by contemporary women poets from Spanish America. The fundamental contribution of the book lies in the valorization of the metapoetic and self-reflexive element in poetry written by women, since research on the topic has focused primarily, until today, on male authors.

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.  Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. "Crackles with energy and snaps with authenticity and voice." --Justina Ireland, author of Dread Nation "An incredibly potent debut." --Jason Reynolds, author of the National Book Award Finalist Ghost "Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero." --Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!

Spanish in Health Care fills an important gap by offering a panoramic overview of the research on Spanish in health settings that is emerging from a variety of disciplines. Synthesizing research from diverse disciplines such as sociolinguistics, discourse analysis, health services research, behavioral health research, health policy and administration, and social epidemiology, the volume offers a uniquely unified approach to the subject of Spanish in healthcare. This volume will be of interest to researchers in Spanish linguistics, sociolinguistics, health communication, and languages for specific purposes.

A BreakBeat Poets anthology that opposes silence and re-mixes the soundtrack of the Latinx diaspora across diverse poetic traditions. In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNext celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.

From the perspective of Latin American Studies, this volume offers a critical contribution to the current debate on world literature. It is structured around three conceptual blocks: "gatekeepers", as the dispositives and actors mediating the international circulation of literature; "translation", as an unavoidable but always problematic mechanism; and "local literatures", as modes of writing that remain intrinsically tied to their contexts.

We now live in the Anthropocene, the first epoch of our own making. We have altered the Earth's atmosphere, landscapes, and bodies of water. The burning of fossil fuels has warmed the planet enough to change weather patterns, melt glaciers, and raise sea levels, a situation made worse by rampant deforestation and resource depletion. Many look to governments to confront these existential challenges. In Maya Wisdom and the Survival of Our Planet, Lisa Lucero looks to the Maya, past and present. Through the lens of the traditional Maya inclusive worldview--one in which humans are part of the world, not separate from it, and where everything is connected--Lucero provides a practical roadmap on how to sustainably address climate change and environmental degradation. She shows how the Maya collaborate with rather than try to subjugate forests, animals, soils, water, and other nonhuman entities. The Maya sustainably farmed for millennia and provided goods, labor, and services to their kings in cities. In return, kings performed vital ceremonies to the Rain God Chahk, other gods, and ancestors to replenish urban reservoirs that lasted throughout the long dry season--a balancing act that worked for over 1,000 years. Lucero shows how approaches to tackle climate change from the bottom-up, beginning with the family or household, are just as important as top-down governmental mitigation, and how learning from traditional knowledge is vital for the survival of us all. She brings to life the tropical jungles of Central America and reveals the valuable solutions its ancient and contemporary inhabitants offer us to save our planet.

From the legendary producer of Nick Drake, R.E.M., Toots and the Maytals, and Pink Floyd and author of White Bicycles: Making Music in the 1960s comes a riveting, world-spanning tour de force illuminating the artists, histories, controversies, and collaborations that shaped global music. Paul Simon told Joe Boyd that when he first heard the accordion flourish that would open his multi-platinum album Graceland, it seemed to proclaim, "You haven't heard this before!" Yet the 1980s "world music" boom that Simon's album helped usher in had roots that extended back through the decades and across continents: tango on the eve of World War I, Latin dance across the '30s, '40s and '50s, reggae in the '70s, pre-War samba and pre-Beatles bossa nova, Eastern European ensembles filling capitalist concert halls during the Cold War, Indian ragas changing rock and roll in the 1960s, the folk music-inspired classical composers of the 19th and 20th centuries. In this sweeping history compiled from more than a decade of travel, research, interviews, and deep listening, Boyd sets out to explore centuries of fascinating backstories to these sounds. He shows how personalities, events, and politics in places such as Havana, Lagos, Budapest, Kingston, and Rio are as colorful and momentous as anything that took place in New Orleans, Harlem, Laurel Canyon, or Liverpool. And, moreover, how jazz, rhythm and blues, and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. The one-of-a-kind result is And the Roots of Rhythm Remain: a glorious, symphonic celebration of the music that shapes our world.

LatinX Voices is the first undergraduate textbook that includes an overview of Hispanic/LatinX Media in the U.S. and gives readers an understanding of how media in the United States has transformed around this audience. Based on the authors' professional and research experience, and teaching broadcast media courses in the classroom, this text covers the evolving industry and offers perspective on topics related to Latin-American areas of interest. With professional testimonials from those who have left their mark in print, radio, television, film and new media, this collection of chapters brings together expert voices in Hispanic/LatinX media from across the U.S., and explains the impact of this population on the media industry today.

A year of weekly interviews (1949-1950) with artist Diego Rivera by poet Alfredo Cardona-Peña disclose Rivera's iconoclastic views of life and the art world of that time. These intimate Sunday dialogues with what is surely the most influential Mexican artist of the twentieth century show us the free-flowing mind of a man who was a legend in his own time; an artist who escaped being lynched on more than one occasion, a painter so controversial that his public murals inspired movements, or, like the work commissioned by John D. Rockefeller, were ordered torn down. Here in his San Angelín studio, we hear Rivera's feelings about the elitist aspect of paintings in museums, his motivations to create public art for the people, and his memorable, unedited expositions on the art, culture, and politics of Mexico. The book has seven chapters that loosely follow the range of the author's questions and Rivera's answers. They begin with childlike, yet vast questions on the nature of art, run through Rivera's early memories and aesthetics, his views on popular art, his profound understanding of Mexican art and artists, the economics of art, random expositions on history or dreaming, and elegant analysis of art criticisms and critics. The work is all the more remarkable to have been captured between Rivera's inhumanly long working stints of six hours or even days without stop. In his rich introduction, author Cardona-Peña describes the difficulty of gaining entrance to Rivera's inner sanctum, how government funtionaries and academics often waited hours to be seen, and his delicious victory. At eight p. m. the night of August 12, a slow, heavy-set, parsimonious Diego came in to where I was, speaking his Guanajuato version of English and kissing women's hands. I was able to explain my idea to him and he was immediately interested. He invited me into his studio, and while taking off his jacket, said, "Ask me..." And I asked one, two, twenty... I don't know how many questions 'til the small hours of the night, with him answering from memory, with an incredible accuracy, without pausing, without worrying much about what he might be saying, all of it spilling out in an unconscious and magical manner. A series of Alfredo Cardona-Peña's weekly interviews with Rivera were published in 1949 and 1950 in the Mexican newspaper, El Nacional, for which Alfredo was a journalist. His book of compiled interviews with introduction and preface, El Monstruo en su Laberinto, was published in Spanish in 1965. Finally, this extraordinary and rare exchange has been translated for the first time into English by Alfredo's half-brother Alvaro Cardona Hine, also a poet. According to the translator's wife, Barbara Cardona-Hine, bringing the work into English was a labor of love for Alvaro, the fulfillment of a promise made to his brother in 1971 that he did not get to until the year before his own death in 2016.

Pacini Hernandez presents an analysis of the hybridity of Latino musical practices, carefully documenting the transnational musical interactions between Latinos in the United States & in their countries of origin.

A collection of salsa music.

A fast-paced Latin dance from the Dominican Republic, merengue has become popular all over Latin America. Some of region's most talented musicians contribute to this collection, making it the perfect way to add some merengue spice to the dance floor.

The Latin Beat outlines the musical styles of each country, then traces each form as it migrates north. Morales travels from the Latin ballad to bossa nova to Latin jazz, chronicles the development of the samba in Brazil and salsa in New York, explores the connection between the mambo craze of the 1950's with the Cuban craze of today, and uncovers the hidden history of Latinos in rock and hip hop.

This biographical dictionary profiles 75 artists from the United States and 13 nations of Central and South America and the Caribbean, including painters, sculptors, photographers, muralists, printmakers, installation artists, and performance artists. Some of their works recall pre-Columbian times; others confront the cultural imperialism of the U.S. over Latin America; and many explore how the dominant elements of culture can affect identities of class, gender, and sexuality.

"An eclectic, sophisticated, often emotionally charged collection of poetry, essays, memoirs, sketches, paintings, & photographs from Latino artists." -The Horn Book